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For Lynch, who has likened low-res video to film stock before the emulsion process was perfected, the murkier the image, the more “room to dream,” as he puts it.
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Snaith finally and fully inhabits the 1960s, specifically the branch of sun-kissed pop that was aware of psychedelia but chose not to abandon the pillow-soft pleasures of AM radio, of the Zombies, Free Design, the Mamas & Papas, and the Beach Boys.
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